Tuesday After noon talk- In Dialogue Corrina Goutos & Alumn Célio BragaIn

Tuesday, 8 April | 15:30 – 18:30

Dear friends and colleagues of the Jewellery – Linking Bodies department, We hope this message finds you well, and that you are welcoming the arrival of spring with renewed energy, both personally and collectively.

We are very pleased to invite you to our upcoming public event:

Talk & Dialogue
Tuesday, 8 April | 15:30 – 18:30
The Gym (–1 floor), Rietveld Building, Gerrit Rietveld Academie
Frederik Roeskestraat 96, 1076 ED Amsterdam

In collaboration with the Stichting Françoise van den Bosch Foundation, we will welcome back our esteemed alumnus Célio P. Braga, who will be in conversation with Corrina Goutos, current resident of the Françoise van den Bosch Foundation. We have had the pleasure of collaborating with the Foundation for many years, organizing resident talks and moments of exchange — and we look forward to continuing this meaningful relationship.

Schedule:

15:30 – 15:40: Welcome by Sonja Bäumel
15:40 – 16:00: Introduction by Jeannette Jansen and Astrid Ubbink (board, Françoise van den Bosch Foundation)
16:00 – 16:30: Talk by Corrina Goutos
16:30 – 17:00: Talk by Célio Braga
17:00 – 17:30: In Dialogue: Corrina Goutos & Célio Braga
17:30 – 18:30: Meet & Greet & closing drink

We warmly invite you to join us for this afternoon of conversation, reflection, and informal exchange.

Bio Célio Braga (Brazil, 1963) graduated from the Rietveld Academy in 2000. Since then, he has been working as a visual artist, developing a practice characterized by a performative and multidisciplinary approach, driven by a continuous spirit of experimentation.  Braga employs a wide range of materials and techniques to create drawings, paintings, photographs, sculptures, body-related objects, installations, and occasionally performances and videos. The theme of skin serves as a central thread in his work, functioning as a metaphor to explore both contemporary and timeless artistic concerns, such as the human body in its states of wholeness, fragility, transformation, injury, and transience.  His works have been exhibited in numerous galleries, museums, cultural institutions, and art fairs across various countries, including the Netherlands, Germany, Sweden, Belgium, Norway, Denmark, Switzerland, France, Spain, Brazil, Argentina, Chile, Mexico, and others.  In the Netherlands, his works are part of the collections of the Stedelijk Museum Amsterdam, Textile Museum Tilburg, CODA Museum Eindhoven, Kunstmuseum Den Haag, and Museum Boijmans Van Beuningen in Rotterdam. 

About Celio’s Talk: While I do not make jewellery, my practice reflects a similar attention to detail, precision, and sensitivity, sharing the meticulous craftsmanship and intimate relationship with the body that defines jewellery-making. In this lecture, I will present a selection of works created between 2001 and 2025, spanning 24 years of my artistic practice. The chosen images are guided by their connection to the human body, both in a physical sense and in a symbolic and philosophical manner.  I will discuss my sources of inspiration and the essential role that materials play in conveying my ideas. Additionally, I will explore how my working process—rooted in repetition and time-intensive techniques—becomes a generator of meaning, shaping both the form and the conceptual depth of my work. 

Bio Corrina Goutos (1991, NY, USA) is an artist working in jewelry, objects, and installation currently based in Hamburg, Germany.  Having coined the term “Anthrosmithing” to describe her interdisciplinary practice- Corrina renounces the concept of a “raw material”, instead considering that when a craftsperson imprints themselves on a material, they are but one of many agents constantly reshaping it.  Corrina’s future artifacts tell a story of mankind, from achievements to decadence. Precise pre-industrial handicraft is applied to post-consumer detritus, with the same intention a smith would give a rare resource of Earth.  With radical consideration of the political ecology of non-human and human agents, Corrina’s eerily harmonious conglomerates dismantle hierarchical narratives of the master craftsman with nature at his disposal, instead eliciting a sense of connection through making with materials to achieve material fluency.

Corrina received her BFA in Jewelry and Objects from the Savannah College of Art and Design in 2013 and has been an active participant in international craft exhibitions, such as Munich Jewelry Week, in the decade following.  She has twice been honored as an AJF Young Artist Award Finalist, and is the recipient of several distinctions in sustainable fashion. She is increasingly recognized for her large format installations, and with them, her expansive and fluid definition of contemporary jewelry and object-smithing.

About Corina’s talk: with the Gerrit Rietveld academy I will be sharing my 5 plus years of research pertaining to being a smith of the Anthropocene, story-telling the two-way exchange of non-humans with humans and sharing my take on the extended body.  Delving into the diverse formats I employ, and words I smith, which give shape and context to the speculative artifacts, cyborgs and altars of material culture I create, we will postulate on the potential of attunement and the antiquity of the craft narrative.

Radical Accessibility – Crip pedagogies Jewellery-Linking Bodies students @Rietveld Uncut at the Stedelijk Museum, Amsterdam

Rietveld Uncut
Exhibition: 19 – 23 March, 10.00 – 18.00
Friday Night: 21 March, 18.30 – 21.30 – Opening speech at 18.45

The Gerrit Rietveld Academie, in collaboration with Stedelijk Museum Amsterdam, presents the programme Radical Accessibility – Crip pedagogies, Crip theory, Crip practice. This multi-day event consists of conferences, an exhibition by Rietveld students and a festive Friday Night. There will be lectures, presentations and performances by international artists, theorists and Rietveld students. 

Studium Generale
Conference: 19, 20 and 21 March, 13.00 – 17.00 – Opening speech 19 March at 13.00

Rietveld Uncut
Exhibition: 19 – 23 March, 10.00 – 18.00
Friday Night: 21 March, 18.30 – 21.30 – Opening speech at 18.45

Get your tickets here

Note: On weekdays and on the Friday Night, Rietveld students and staff have free admission with their Rietveld pass. On Saturday 22 March and Sunday 23 March regular museum ticket sales apply.

Endlessly Rerouted -a collaboration between Isabel Heatley from the Jewellery-linking bodies department and Simone Winder from the Fashion department


Imagine walking down a street. Signs appear, urging you to take another path. But no matter how diligently you follow the detours, you always end up back where you started or even further from your destination.Endlessly rerouted, the body becomes lost in the noise of others’ assumptions and judgments.
This is how prejudices operate when confronted with hidden disabilities, clouding the connection to one’s quiet knowing.
These signs, placed on the body like a second skin, are meant to guide but instead distract and disturb. They sink into the skin, becoming a map of misdirection.

Surplus bodies a work by Luijza Kramárová

Cultural ideals of containment and control demand bodies that do not leak, do not deviate, do not decay. Yet bodies age, sweat, absorb, and gradually change in response to time and environment.

Surplus bodies is a copper cast of Fomes fomentarius, a parasitic fungus that feeds on living trees while nurturing the decay of the dead, anchors itself to a transparent acrylic structure. The structure appears to sweat, droplets condensing and dispersing as the copper darkens over time. This transformation embodies the duality of the fungus—its role as both a parasite and nurturer, demonstrating cycles of decay, growth, and renewal. The work enacts a system of interdependence, where growth and breakdown are entangled. In an era of optimized productivity, where efficiency dictates worth, it proposes a counter-image: a body that transforms, discloses its vulnerabilities, and refuses to be sealed off.

A project by Niloofar Salehi

The Weight Between Us

Textile wearable sculpture

activate by performance

The feeling nobody can see, hidden under your skin, is one you can’t explain. It’s the moment you feel like an outsider, burdened by the heaviness of others’ gazes.

As a non-EU student living in the Netherlands, I often carry the weight of my emotions, constantly facing one obstacle after another.

Pressure, difficulties, loneliness, sadness, homesickness — all are stored in the body; the struggle to earn a living, survive in another country and build a community and more. The work highlights how systems and structures can either lighten or intensify these burdens, especially for those who must navigate multiple obstacles just to belong, survive, and thrive.

Eight Cubic Meters by Max van Meeuwen: Other Moons

20 March – 24 April 2025

When: 20 March – 24 April

Opening: Thursday 20 March,  17:00h

Where: Eight Cubic Meters, Sint Nicolaasstraat, Amsterdam

Her laughter fizzes in thousands of bubbles against my skin, promising me a darkness that could hold the moon.

The lower I sink, the more her laughter eddies and swirls, nestling between the slowing beats of my chest. She catches my breath between her lips. Kisses me. Her laughter becoming mine. 

Other Moons opens the sixteen windows of Sint Nicolaasstraat as portals into other worlds. Using monotype printing techniques on cotton paper, I create figures that emerge and float across the windows. Each print captures a different moment in time, a different piece of the story exploring desire, monstrosity and long lost myths.

Max van Meeuwen is in her final year of the Jewellery – Linking Bodies department, and was selected through the call for applications this academic ye