Monday Evening Lecture – On Archival Practices and Critical Fabulations by Sonia Kazovsky

Sonia kazovsky’s work speculates possibilities for other worlds and social configurations. The propositions that Sonia brings forward are based on rigorous research into the theories and cultures that constituted the location from which she speaks. In the lecture Sonia will talk about the trajectory that brought her to articulate her artistic practice. The lecture will take the form of storytelling: weaving together anecdotes from personal biography, fiction, politics and artworks altogether presenting a reflection on Art and being an artist in the financial and political contemporary.

Power Play Fighting For Dead and Non-Existent Spirits, Sonia Kazovsky 2019

Sonia Kazovsky (RU/IL 1989) is an artist and researcher based in Amsterdam. Often collaborative, she adopts an intersectional approach that combines values from critical pedagogy and feminist institutional critique.  Sonia writes plays, in which the theater figures as medium and mode of presentation. This allows for the practice and presentation of prefigurative politics. Prefigurative politics refers to modes of societal and organisational structures, that aim to reflect a wishful future. That places emphasis on both the back-end of production, as well as the moment of presentation. Kazovsky’s work has been exhibited in institutional and self organized frameworks -among which the Van Abbemuseum, in Eindhoven(NL); State of Concept in Athens (GR); Perdu Poetry foundation in Amsterdam (NL); Oostpol Theater in Arnhem (NL); Kunstraum Düsseldorf (DE). In 2016 she was part of the YCW of the Berlin Biennale 9 (DE) and in 2019 she was nominated for the Artist revelation prize by MAD, Paris. Most recently she was awarded the Young Talent stipend from the Mondriaan Fund for the year 2020-2021. Her work is part of the national library of the Netherlands.

If you are interested in joining in person, Monday 12.4.2021 18:00h please register at: https://outlook.office365.com/owa/calendar/LectureOnarchivalpracticesandcriticalFabulations@grac.onmicrosoft.com/bookings/

Rietveld Uncut 2021 -RESILIENT BODIES – STRATEGIES AND PRACTICES FOR FLUID EMBODIMENTS

RESILIENT BODIES – STRATEGIES AND PRACTICES FOR FLUID EMBODIMENTS

This year Studium Generale & Rietveld Uncut are focussing on different experiences and manifestations of the body and (dis)embodiments in art and life. Due to Covid-19, the quarantines and guidelines for physical distancing, we are not only dealing with (our) viral bodies, vulnerable bodies and lonely bodies; in attempts to continue life, we manifest ourselves nonstop behind our screens as virtual bodies and data bodies.

Read the Metropolis M review, featuring the work of our second year student Dimme van Harten here

Dimme van Harten, second year at the Jewellery Linking- Bodies department
Missing Link, Uncut 2021 Resilient Bodies

What are experimental and emancipating strategies and practices for fluid embodiments? How can we form resistant collective bodies without losing our own subjectivity and fleshy “matter”? How can we think about this from art practice and theory?

Visit the online exhibition and conference at: https://rietvelduncut.rietveldacademie.nl/2021

Hands on (online) workshop with Linda Molenaar – Pallet

Barn owl (mice) pellets A workshop with 3 barn owl pellets sent to each student. The treasure hunt takes turn when the students after facing the truth of the mouse skeletons have to find  something in their house and detach it in the same way. Then reuniting is the ultimate puzzle delivers great surprises.

Photo by Ada Jochimsen
Photo By Linda Molenaar

2021